While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. The Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
[@Allmusic]
Tracklist:
1. American Woman
2. No Time
3. Talisman
4. No Sugar Tonight /New Mother Nature
5. 969 (The Oldest Man)
6. When Friend's Fall Out
7. 8:15
8. Proper Stranger
9. Humpty's Blues/American Woman (Epilogue)
10. Got To Find Another Way
Line-Up:
Burton Cummings – vocals, guitar, piano, organ, flute, keyboards
Randy Bachman – guitar, tambourine, vocals
Jim Kale – bass, vocals
Garry Peterson – drums, percussion, vocals
DESCARGA
The Guess Who's most successful LP, reaching number nine in America (and charting for more than a year), has held up well and was as close to a defining album-length statement as the original group ever made. It's easy to forget that until "American Woman," the Guess Who's hits had been confined to softer, ballad-style numbers -- that song (which originated as a spontaneous on-stage jam) highlighted by Randy Bachman's highly articulated fuzz-tone guitar, a relentless beat, and Burton Cummings moving into Robert Plant territory on the lead vocal, transformed their image. As an album opener, it was a natural, but the slow acoustic blues intro by Bachman heralded a brace of surprises in store for the listener. The presence of the melodic but highly electric hit version of "No Time" (which the band had cut earlier in a more ragged rendition) made the first ten minutes a hard rock one-two punch, but the group then veers into progressive rock territory with "Talisman." Side two was where the original album was weakest, though it started well enough with "969 (The Oldest Man)." "When Friends Fall Out," a remake of an early Canadian release by the group, attempted a heavy sound that just isn't sustainable, and "8:15" was a similar space filler, but "Proper Stranger" falls into good hard rock groove. In August of 2000, Buddha Records issued a remastered version of this album with a bonus track from a subsequent session, "Got to Find Another Way." Ironically, American Woman was the final testament of the original Guess Who -- guitarist/singer Randy Bachman quit soon after the tour behind this album; the group did endure and even thrive (as did Bachman), but American Woman represented something of an ending as well as a triumph.
[@Allmusic]
el principio de razón. ¡Cómo podríamos decir legítimamente, si la verdad fuese lo único decisivo en la génesis del lenguaje, si el punto de vista de la certeza lo fuese también respecto a las designaciones, cómo, no obstante, podríamos decir legítimamente: la piedra es dura, como si además captásemos lo “duro” de otra manera y no solamente como una excitación completamente subjetiva! Dividimos las cosas en géneros, caracterizamos el árbol como masculino y la planta como femenino: ¡qué extrapolación tan arbitraria! ¡A qué altura volamos por encima del canon de la certeza! Hablamos de una “serpiente”: la designación cubre solamente el hecho de retorcerse; podría, por tanto, atribuírsele también al gusano. ¡Qué arbitrariedad en las delimitaciones! ¡Qué parcialidad en las preferencias, unas veces de una propiedad de una cosa, otras veces de otra! Los diferentes lenguajes, comparados unos con otros, ponen en evidencia que con las palabras jamás se llega a la verdad ni a una expresión adecuada pues, en caso contrario, no habría tantos lenguajes.
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